![]() What works so well in that scene is one of its most chilling shots: a body laying in the hallway with no visibility on the inside of the room. The camera remains within the hallway, never leaving it during the entire fight even when Rama delivers one of the most brutal kills in the film: dropping a young man’s neck onto the bottom of a broken door frame. The audience needs to feel every hit the characters endure, and the camera is fine-tuned in a way that finds the exact way of capturing that feeling.Īnother iconic shot from the film involves the gang of machete-wielding fighters that take on Rama in a claustrophobic hallway. It’s the kind of benchmark for action editing that often gets left behind in blockbuster setpieces, but here it’s kind of the point. Action is cleanly cut, never breaking up the flow of action or cutting away from a landing blow. That fight is the main attraction and it pulls everyone towards it, including the camera. There are few moments where the camera leaves the room a fight is happening in. This also bleeds into the way Evans cuts the film and cinematographers Matt Flannery and Dimas Imam Subhono shoot it. It’s not all kicking and punching – sometimes it’s about using your brain. Which is why moments like a machete slowly tapping on a wall as it nears Jaka and other policeman in hiding, or again, a machete being stabbed through a false wall in hopes of finding Rama and Bowo (Tegar Satrya) hiding in a doctor’s apartment, are engaging moments of tension that acknowledge the presence of other characters. Even though Rama, Mad Dog, and Andi are all capable fighters, the others around them are not necessarily. The use of pencak silat for its martial arts allows for intricate choreography and impressive fights, but it’s not all that The Raid offers. Mad Dog presents the rush that is always seen as the focal point of The Raid: Redemption. Or as Mad Dog says when fighting Jaka (Joe Taslim): “Pulling the trigger is like ordering takeout…” It’s the way the film often sacrifices guns in exchange for fisticuffs and machetes that further immerses itself in its setting – a place where people aren’t afraid to get their hands dirty. It’s also a film not afraid to revel in the grime of its setting often punctuating its dirty corridors and unkept rooms with graphic violence and visceral sound design. Evans quickly establishes the desperation of the people fighting and by proxy, their stakes in every fight.īy refusing to let the apartment complex simply be another seedy underbelly of a heavily-populated city, The Raid: Redemption lets its setting be just as nuanced as its protagonist. Watch the raid redemption free#When the drug lord in question, Tama (Ray Sahetapy) offers free rent to whoever kills the police in his building, all bets are off. Watch the raid redemption code#He’s someone whose moral code is immediately thrown through the wringer because of one corrupt cop’s decision that will ultimately cost many of their lives. Throughout the apartment complex, Rama isn’t just fighting gangsters and hoodlums – he’s fighting people barely making ends meet. That’s where The Raid: Redemption becomes so much more than its “One versus 100” conceit suggests. What essentially begins as a siege film goes south quickly and becomes a survival action film with a tinge of horror and a whole lot of blood. Part of an operation that turns out to be unsanctioned, Rama quickly finds himself forced to fight through an apartment complex run by an insidious drug lord and his two right-hand men, Andi and Mad Dog (Yayan Ruhian). In its purest form, The Raid: Redemption is about an honest cop named Rama (Iko Uwais) who undertakes a dangerous mission in order to extract his criminal brother, Andi (Donny Alamsyah), before he winds up in more trouble than he can imagine. While contemporary action films like John Wickand Mad Max: Fury Roadhave taken up more of the spotlight, The Raid: Redemption remains a seminal entry into the action film canon that few films have managed to replicate. Simplistic in its premise, bare in its setting, and rarely attempting to exceed its grasp, director Gareth Evans and his cast and crew provided a masterclass in action filmmaking. A decade since 2012’s The Raid: Redemption and it’s still one of the best examples of clean, efficient storytelling told through action. ![]()
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